Friends, I just watched Gan_s of Wasseypur....(so) much late. The reviews were already out and I believed the 4 star rating. Of course I loved Anurag Kashyap's earlier work so it was an easy trap. Trap...it was! "Kah kar loonga"....they meant it literally.
There was a liberal usage of a certain language and it added to my knowledge and vocabulary. One such word seemed the crux of the movie and was used so frequently that I actually wondered if it was mis-spelt in the poster. Manoj Bajpai looked Bihari Babua but not Muslim. The paradox was his auladen (Progeny), Jayaz and najayaz (legal and illegal).... none of his boys looked good despite his good looks or the looks of the sexy women he laid. Some mutations of the genes some where. So much so one of his sons looked haggard and older than him.
Women????? Were they even required? Not really. While his eye sore sons had beautiful eye candies to hang around with, he had a hot bong to show some flesh and some suggestive hot moves. It was sex and sleaze and loads of blood shed. Butchery shots were the highlights and may have appealed to a God knows what kind of people.
Men in the front rows loved it as they cheered every gaali and harkat. The men in the back rows loved it too perhaps but they watched it quietly. The women........??????????????????
Women would run away....whats with that nonsensical hunter gibberish passed as some classic from Trinidad. It seems from Trinibad!!
"Kah Kar Le Lee".....thats what the movie makers claim in print ads. Well I don't know about the audiences but CENSOR KI TOH LE LEE.... It's quite a leap from Delhi Belly and Dirty Picture and will set a DISGUSTING trend in the days to come. It should be classified as something else than an A Film.
Its like emperor's new clothes, everyone is raving about it.......but let me tell you Raja Nangdhadanga hai......!!!
PS: Guys, its tough being a film maker and tougher being an objective critic. Worse if you want to turn a filmmaker too. How could a filmmaker-to-be so damn critical of someone's work? I know I am taking a big risk........:))))))))))))))))
There was a liberal usage of a certain language and it added to my knowledge and vocabulary. One such word seemed the crux of the movie and was used so frequently that I actually wondered if it was mis-spelt in the poster. Manoj Bajpai looked Bihari Babua but not Muslim. The paradox was his auladen (Progeny), Jayaz and najayaz (legal and illegal).... none of his boys looked good despite his good looks or the looks of the sexy women he laid. Some mutations of the genes some where. So much so one of his sons looked haggard and older than him.
Women????? Were they even required? Not really. While his eye sore sons had beautiful eye candies to hang around with, he had a hot bong to show some flesh and some suggestive hot moves. It was sex and sleaze and loads of blood shed. Butchery shots were the highlights and may have appealed to a God knows what kind of people.
Men in the front rows loved it as they cheered every gaali and harkat. The men in the back rows loved it too perhaps but they watched it quietly. The women........??????????????????
Women would run away....whats with that nonsensical hunter gibberish passed as some classic from Trinidad. It seems from Trinibad!!
"Kah Kar Le Lee".....thats what the movie makers claim in print ads. Well I don't know about the audiences but CENSOR KI TOH LE LEE.... It's quite a leap from Delhi Belly and Dirty Picture and will set a DISGUSTING trend in the days to come. It should be classified as something else than an A Film.
Its like emperor's new clothes, everyone is raving about it.......but let me tell you Raja Nangdhadanga hai......!!!
PS: Guys, its tough being a film maker and tougher being an objective critic. Worse if you want to turn a filmmaker too. How could a filmmaker-to-be so damn critical of someone's work? I know I am taking a big risk........:))))))))))))))))
